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  1. For this presentation, I was really keen to link my research back to Wales. I knew this would be a challenge because Wales isn’t exactly known for its animation industry. When I was pondering my topic I was surprised to find that there is actually an ode to Wales in one film from our beloved Disney.

2. Released in 1985, the Black Cauldron is Disney’s 25th animated feature film.

The film is set in the mythical land of Prydain during the Middle Ages and is about an evil king who wants to steal a magic cauldron that will allow him to conquer the world, and a young farmer boy who tries to stop him. 

The film has a lot of classic Disney tropes like an Aurora-inspired princess and a couple of animal sidekicks. 

3. The film is based on a series of books written by American author Lloyd Alexander called The Chronicles of Prydain. 

The author went to Wales for army combat training. After becoming familiar with Welsh culture, particularly the castles and folklore, he was inspired to write a fantasy series.

Mainly influenced by the stories of the Welsh Mabinogion. 

The Mabinogion are the earliest prose stories in British literature, basically a collection of short stories made up of drama, philosophy, romance, tragedy, fantasy and humour. 

The setting of the book is loosely based on Anglesey and all of the characters have Welsh names. These are all used in the film so we have Taran, Eilonwy, Gurgi, Fflewddur Fflam and Hen Wen the pig. However there isn’t any other kind of recognition for Wales other than this.

4. Most people are not familiar with this particular Disney production as it is widely disregarded for reasons which I’ll go into later. However the film has a pretty important place in Disney’s history. 

5. TBC was actually the first ever Disney feature released that utilised computer animation (White, 2020).

CGI was only used for minor objects (bubbles, lighting, the cauldron) but it still advanced Disney animation, moving it away from the old methods used before.

6. At the time of the production of this film there was a lot of sci-fi dominating cinema and Disney was losing their audience to it. The Black Cauldron was Disney’s attempt at a fantasy adventure. (Price, 2019, p.1) 

It was thought that this film would be the Snow White of a new generation of animators. We saw a very different approach to Disney’s usual style of filmmaking. It’s dark themes and scary villain earned it Disney animation’s first ever PG rating (Kois, 2010).

Now, Disney have made their fair share of unsettling sequences but this film is another level. Aside from the Horned King villain who is basically the devil,  there’s a traumatising pig chase sequence and one of the main characters sacrifices himself in an act of suicide. Let’s have a look at one of the main sequences. 

8. From that clip, it’s clear to see that this wasn’t made for Disney’s usual audience. But it also didn’t appeal to a more mature audience. 

The Black Cauldron was the most expensive animated film ever made at the time, with a huge cost of $44 million, almost 4x that of its predecessor The Fox and the Hound (Box Office Mojo). This was not planned but the studio ended up going way over budget after spending more time than expected in production.

Unfortunately the film was a complete fail and didn’t even make half of its money back in the box office. It was beated by The Care Bears movie, a defeat which has been described as Disney’s rock bottom (waking sleeping beauty). It actually put the future of Disney animation in jeopardy. There are a lot of elements involved in the films failure, let start with the plot.

9. So what caused the failure of this film? Well it was produced during a pretty chaotic period in Disney history. 

There were lots of staffing changes going on in the company, Jefferey Katzenberg became chairman and Micheal Eisner was the CEO. TBC ended up being passed around amongst different directors and there was a conflict between them and the artists. The concepts and ideas for the film were often revised and many people left the project due to creative differences. 

Jeffery Katzenberg was shocked when he saw the film and felt it was too dark and intense for children. He insisted that the film be re-edited, ignoring the producers who told him that this wasn’t possible in an animated film. 

The film was reworked again. Some scenes were reanimated but others were not so seamlessly cut. In the clip I just showed you, you might have noticed this.

All of these changes resulted in a disjointed plotline, jarring editing and weakly developed characters. The audience found it confusing. I personally think the main problem is that they didn’t want to put out another typical Disney fairytale but also didn’t fully commit to the dark fantasy idea, so they ended up pleasing no one.  

10. TBC was produced in the period of Disney that is known as The Dark Age, or the Bronze Age. These films demonstrate the struggle that the studio went through after Walt Disney’s death in 1966. Without him to hold the reins, Disney entered this period of transition and turmoil until the late 1980s. 

This was generally a commercially unsuccessful era for Disney but TBC was their absolute rock bottom (Waking Sleeping Beauty). However, it has been said that TBC made pretty great achievements in animation and inspired the company to continue with their digital work. (Price, 2019)

Looking back now I think we can say that this was not a dark age of Disney animation but more a time of experimentation and transition. After all it ultimately set the foundation for the pinnacle of the studio. Does anyone know what happened next?

11. After gaining some stability Disney were able to bounce back with the Little Mermaid and after that the Disney Renaissance. I’m not going to go into this too much but basically they took the all of the successful technical and artistic elements of the Dark Age and went back to producing well-known fairytale musicals (Price, 2019, p.3-4). Combine this with cheaper production techniques and Disney entered one of their greatest eras of all time. 

12. So in conclusion, even though TBC wasn’t commercially good it led to many great things and shows that we all learn from our mistakes. I’m glad I got given the opportunity to tell you about this film if you didn’t already know about it because I don’t think it deserves to be forgotten about.  

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Drawing for Character

Drawing for Character Week 3

This week we focussed on extreme perspectives and facial expressions. I felt more positive going into this session after my tutorial last week.

This was such an interesting exercise and challenged the way I thought about the human body. The extreme perspectives made the model’s body make no sense, so I really had to look at where things were in relation to each other instead of using the life drawing techniques I have learned so far. I tried to focus more on the shape and perspective of the body as opposed to the personal details of the model but sometimes naturally began to include those details during the extra time I had. Overall this was enjoyable.

I found myself really liking this exercise and how my drawings came out. Having 20 seconds per pose allowed me to be more nonchalant and free in my drawings and I actually enjoy how they turned out with this distorted look. I am definitely learning the importance of exaggeration, whenever I think I have taken it too far it tends to read better!

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Puppet Animation

Puppet Animation Week 2

This week we visited the CSM costume store and got inducted on how to use their facilities. I was a little nervous to use a sewing machine for the first time but it was much easier than I thought! We also used the overlocker (and learned what an overlocker is!).

Looking forward to learning how to make tiny outfits for my puppets!

We then went back to the studio to carve out heads for our characters. At first I found it difficult to figure out how to make a head shape out of a block of foam but it came together as I understood more.

Really pleased with my work on this! There are some more details to be added such as a nose, mouth and eyebrows and eyelids before painting. Again really enjoyed this class.

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Progress

Tutorial with Maryclare

This week instead of a character drawing class we had tutorials. I wanted to make a short note of what I discussed with Maryclare as I feel it will be an important part of my animation journey.

I was a little anxious to show my drawings as I’m not very confident in this class and my drawing skills aren’t as developed as my peers. I spoke to Maryclare about how I was feeling and how I felt it was affecting my work. I explained to her that I struggle to practice as I am rarely happy with my drawings and it can have a negative impact on me.

Maryclare advised me to approach my drawings as if they are an animation exercise and not an observational study. So instead of getting stuck on drawing the details of the specific model, focus on their pose, emotion and perspective by drawing simple shapes. This was really helpful for me, as I really do enjoy the animation exercises we are given. I will definitely apply this advice to our next session and will hopefully enjoy myself more going forward!

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Puppet Animation

Puppet Animation Week 1

I’m so delighted to be making puppets and doing stop motion animation as it is something I have wanted to do ever since starting my BA. I was a little worried I wouldn’t enjoy the hands-on aspect of puppet making and the mess that comes with it but I actually loved this lesson so much.

This week we focussed on making the skeleton for the puppet before padding it out with sponge.

I decided to make my character a bit larger than he is in my design as I imagine him being a little more short, stout and grumpy. Super happy with my puppet so far and can’t wait to make him a head next week!

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3D Animation

Maya Week 2

https://vimeo.com/645321581

In this session we sped up Bonky’s movement and made him bounce along a path. We also set up a camera to record the shot. It’s great to refresh my memory of these processes!